Hello all,
Just want to do a quick press to share the Opening Night Footage of “Building Character” group show with Urban Contemporary artists Jeru Gabriel, Hatziel Flores and myself at The 4th Wall Gallery in Dallas, Tx. Exhibit continues thru April 3rd.
Watch the opening night footage of ”Building Character” here
For more info visit the 4th Wall Gallery website.
or
just email Scott Kaserman directly at: scott.the4thwallgallery@gmail.com
Until Next time,
C.Kirk
WWW.CKIRKART.COM
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This track is really about me old radio days and books I’ve read before. When I did radio back in university The Braxtons came out with a track called The Boos. It was alright, and before playlists came in selections were closely monitored I’d play it fairly regularly. One of the most interesting biographies I read was about Diana Ross entitled Call Me Miss Ross. I read his updated version which I believe is just called Diana Ross: The Unauthorised Biography. In any case I wasn’t too convinced about Miss Ross even before I read the book, I felt a lot of the Motown stuff was slightly overrated. Reading the biography made me dislike the portrayal of Diana even further, which wasn’t particularly helped by other presentations of her and the trouble she got into.
So it should come as a bit of a surprise that I make this selection for another day’s content. Here’s the thinking. First Miss Ross does this song better than The Braxtons and it’s a good song. Also I’m Coming Out is a fine song – yeah it has connotations that have been exploited since, but it does funky almost disco kind of feel very well. So props where it belongs. Plus this whole presentation is quality 80’s cheesy glamour concert television! Enjoy.
Shalom
dmcd
Dear J-
There are some days that I wake up full of ideas and suggestions, and unfortunately, more days that I get up with some song in my brain on endless repeat (Train’s Soul Sister has me missing Mister Mister, Broken Wings and Tina Matthews) driving all rational thought from my head. We have two particular bits of infamy in the local scene; again the UCSD situation rears its head (one symbol of intimdation — a noose — might be construed as a mistake, despite the mealy-mouthed convenient apology issued, but two means a trend, and not a joking one) and Chelsea King, whose disappearance appears to have come to a tragic conclusion.
I’m not particularly impressed by the apology issued by the student in question, which basically claims ignorance of the symbolism of a noose — quit acting uppity or it’s you next — and that it was made as a joke. You don’t put a joke on public display, and you generally don’t forget about it, either. I do appreciate that the student would take responsibility for their action, and I’m not sure what else can be done at this point. That said, the introduction and escalation — seriously, putting a Klan hood on Dr. Seuss? — speaks volumes about what those kids on kampus campus are learning, or not learning. It’s bad judgment followed by terrible decisions; there’s really not much more the administration can do short of closing the campus. Everyone must forgive; no one can forget.
I look at the massive search conducted for Chelsea King and wonder if there might have been a connection to the disappearance of another young girl last year, Amber Dubois; had the same effort be conducted on her part, would the suspect have been in custody earlier? Would we have had to talk about remote jogging trails and the promise of young people? It’s all hindsight, and it doesn’t change anything today; the would-haves of the world would fill the universe. The world I remember had me and my brother running around outdoors for hours and days without supervision and without consequence, but those days are as irrelevant as Mister Mister lately.
Mike
I liked the new version overall… but to be honest, I thought Lil Wayne, and some of the other brothas using autotune to sing was real weak. Not trying to sound like an old man, but we are the world ought to have been about talent. The black R&B singers represented well, aside from Wyclef, Kanye, and Will.I.AM, the rappers were whack (don’t get me started on that corny rap chant)! What u think, freestyle with me…
Went to see Wendy Lane Bailey tonight at Blues
Alley and had a great time. Wendy was joined by amazing music director, composer, pianist and all-around awesome person Michele Brourman. And if that wasn’t enough, the fantastic and marvelously talented Laurel Masse’ – founding member of the Grammy-winning vocal group, Manhattan Transfer – was guest vocalist.
All together it was an extremely entertaining evening. Wendy did a good job of presenting a nifty mix of well-chosen songs from various genres – pop, country, musical theatre, etc. – including several original tunes composed by Michele Brourman herself. Among the highlights of this show for me were a) a trio piece with all three ladies singing (titled Monotonous?); b) a really fun tune sung by Wendy and written by Michele titled More Is More (or is that Less Is Less?); c) how marvelously well Wendy was able to keep the audience right with her even when surprise curveballs were thrown her way (for instance, an exit sign above stage right that fell apart twice during the performance).
All three women are great performers in their own right. So to see them together was a real treat. And for you Manhattan Transfer fans, you should definitely try to get out and see Laurel Masse’ in a more intimate setting like Blues Alley when and if you can.
Really good stuff!
Howdy. I discovered Pearl and the Beard earlier this week and it didn’t take long before I was in love. Their amazing debut album was released in July of 2009 and added to Spotify four months later. Enjoy!
Pearl and the Beard – God Bless Your Weary Soul, Amanda Richardson
